Obscure French version of the original Godzilla. The film combines elements of the original Toho version and the American King of the Monsters! in a unique assemblage exclusive to the Francophone market. Released by Les Films du Verseau.

A drama set during World War II where a submarine carrying a secret weapon attempts to stop a planned third atomic bombing of Japan. Based on Harutoshi Fukui's novel Shuusen no Lorelei.

After a fishing boat is attacked, the sole surviving crew member realizes it is none other than a resurrected Godzilla. However, efforts to bring the story to light are suppressed by the Japanese government amid growing political tensions between the United States and the Soviet Union, who are both willing to bomb Japan to stop the monster.

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Follows the heroic efforts of the crypto-zoological agency Monarch as its members face off against a battery of god-sized monsters, including the mighty Godzilla, who collides with Mothra, Rodan, and his ultimate nemesis, the three-headed King Ghidorah. When these ancient super-species, thought to be mere myths, rise again, they all vie for supremacy, leaving humanity's very existence hanging in the balance.

A three-year-old boy disappears during his mother's high school reunion. Nine years later, by chance, he turns up in the town in which the family has just relocated.

Track the intertwined real-life stories of three U.S. Marines – Robert Leckie, John Basilone, and Eugene Sledge – across the vast canvas of the Pacific Theater during World War II. A companion piece to the 2001 miniseries Band of Brothers.

In The Making of Monster the artist’s face becomes grotesque through the application of strips of transparent adhesive tape, typical of Douglas Gordon’s performance-based films that often depict his own body in action. Also characteristic of his work, the scene takes place in front of a mirror, suggesting the kind of personal self-reflection that one is capable of – both good and evil. The video makes clear cinematographic reference to the ‘alter-ego’ transformation in Mamoulian’s Dr. Jekyll and Mr. Hyde, and to the “You looking at me?” sequence performed in front of a mirror by Robert De Niro in Scorsese’s Taxi Driver, which also inspired Gordon’s Through a Looking Glass (1999).

Four people return to the haunted woods where their friend was eaten by an ancient monster. Because they want to fight it. Because they're stupid.

A man attending a funeral in his hometown comes face-to-face with his past when he is confronted with memories of mistrust, adultery, abuse, and a fantastical journey that couldn't possibly be real. It couldn't possibly be real, but the memory of a mysterious girl named Lettie Hempstock ties each bizarre childhood occurrence to the last.